It began with the landing of a craft from another galaxy

The debut single was born noisily yesterday on Record Store Day 2015.

Buy the digital single (£1), the CD single with b-side (£3.50) and/or T-shirts (£15 – all sizes) on the new bandcamp merch page here:
https://adamleonard.bandcamp.com/album/the-implausible-man-single

We did a single launch show last Saturday (11th April) and it was the best gig we’ve ever done. Here’s a couple of performances from the gig including new song Handcuffed Man Shoots Himself:

Photo 06-04-2015 10 20 02 Photo 11-04-2015 11 25 33 Photo 12-04-2015 10 27 19  Photo 16-04-2015 20 02 14

More UK gigs in August will be announced soon…!

Follow us on the Facebook page to keep up to date:
https://www.facebook.com/invaderbandmusic

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On The Night The Creature Came Ashore

Octopus Part 4 is out now. FREE download for 1 month from
http://adamleonard.bandcamp.com/album/octopus-part-4

“Back as promised with Adam Leonard, now midway through or thereabouts with the Octopus project which all things being well will see over the course of the next 8 months, 8 release and featuring 8 tracks all released on the 8th. The tracks feature an assortment of covers, live cuts (as with Fahey pastorally love note ‘my life’ featured here and culled from a rare CD-r set ‘to give up you have to bloody start’, rare audio from long since out of print stock and some rare unreleased gems prized from the Leonard archive. ‘Octopus part 4’ is the November selection which includes as its parting shot a sublime cover of Ultravox (mark 1)’s ‘just for a moment’ which we mentioned with much fondness elsewhere this missive. Taken from the ‘lucky seven’ soundtrack and to date previously unreleased ‘there is also tomorrow’ opens proceedings on this chapter, a sweet but teasingly brief glacial overture snow globed in a stately and stilled porcelain panoramic aspect. Staying with soundtracks – very loosely – dug out from that golden year of 2003 and prized from his ‘how music sounds’ set – ‘music for a slow motion film’ is adorned in the feint speckling of soft psych shimmers and ghostly arabesque swirls to craft out something that sounds not unlike a withdrawn and wounded Porcupine Tree happened upon in a late night studio rehearsal by Will Sergeant. In truth the best here and touched – one suspects – by Bowie / Eno’s immortal ‘Low’ there’s a chilling frostiness attaching to the previously unreleased ‘germans visit Frederic’ whose hollowing and edgy Mancini like sonic choreography had us much in mind of Gnac had he of course happened upon Bronnt in a dark shadow entry.  Elsewhere ‘the ballad of Brian Aldiss’ wheezes, yawns and weirds to a fracturing Barrett-esque mindset that pays nods aplenty to both Hitchcock and Orridge. Hitchcock as in Robyn is readily recalled again on the curiously saloon bar soiree that is the mellowing ‘taking time’ while ‘the twinkling of an eye’ – again pulled that aforementioned ‘how music sounds’ set is ghosted in a becoming atmospheric velour that recalls the quite perfect Grails. Essential then”.

Mark Barton, The Sunday Experience / God is in the TV / former editor of the legendary ‘Losing Today’.