On The Night The Creature Came Ashore

Octopus Part 4 is out now. FREE download for 1 month from
http://adamleonard.bandcamp.com/album/octopus-part-4

“Back as promised with Adam Leonard, now midway through or thereabouts with the Octopus project which all things being well will see over the course of the next 8 months, 8 release and featuring 8 tracks all released on the 8th. The tracks feature an assortment of covers, live cuts (as with Fahey pastorally love note ‘my life’ featured here and culled from a rare CD-r set ‘to give up you have to bloody start’, rare audio from long since out of print stock and some rare unreleased gems prized from the Leonard archive. ‘Octopus part 4’ is the November selection which includes as its parting shot a sublime cover of Ultravox (mark 1)’s ‘just for a moment’ which we mentioned with much fondness elsewhere this missive. Taken from the ‘lucky seven’ soundtrack and to date previously unreleased ‘there is also tomorrow’ opens proceedings on this chapter, a sweet but teasingly brief glacial overture snow globed in a stately and stilled porcelain panoramic aspect. Staying with soundtracks – very loosely – dug out from that golden year of 2003 and prized from his ‘how music sounds’ set – ‘music for a slow motion film’ is adorned in the feint speckling of soft psych shimmers and ghostly arabesque swirls to craft out something that sounds not unlike a withdrawn and wounded Porcupine Tree happened upon in a late night studio rehearsal by Will Sergeant. In truth the best here and touched – one suspects – by Bowie / Eno’s immortal ‘Low’ there’s a chilling frostiness attaching to the previously unreleased ‘germans visit Frederic’ whose hollowing and edgy Mancini like sonic choreography had us much in mind of Gnac had he of course happened upon Bronnt in a dark shadow entry.  Elsewhere ‘the ballad of Brian Aldiss’ wheezes, yawns and weirds to a fracturing Barrett-esque mindset that pays nods aplenty to both Hitchcock and Orridge. Hitchcock as in Robyn is readily recalled again on the curiously saloon bar soiree that is the mellowing ‘taking time’ while ‘the twinkling of an eye’ – again pulled that aforementioned ‘how music sounds’ set is ghosted in a becoming atmospheric velour that recalls the quite perfect Grails. Essential then”.

Mark Barton, The Sunday Experience / God is in the TV / former editor of the legendary ‘Losing Today’.

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