We can hear the night watchman click his flashlight, ask himself if it’s him or them that’s really insane

There’s a new A Farewell To Hexes track on the new Bibliotapes release ‘The Diary Of A Madman’ (BIB017). The tapes sold out in a flash, but you can get a download on bandcamp. All proceeds to Ukraine Red Cross.

The stars above the barren trees

Reviews for the ‘Rendlesham’ tape.

“In 1980 the village of Rendlesham, Suffolk was put on the map with two UFO encounters at the nearby RAF base. These events were far from trivial, two airmen suffering life threatening injuries in the first encounter, while the second incident saw increased levels of radiation detected at a site where one of the UFOs allegedly landed. These events form the inspiration for Adam Leonard, or rather, A Farewell To Hexes’s Rendlesham. More than anything these wonky synth jams conjure the homemade, hopeful skywatching spirit of John Was Trying To Contact Aliens, a world of garden shed laboratories and off balanced experiments. ‘East Gate Expedition’ is a ramshackle kosmiche banger, the stargazing synths conjuring an ambience equal parts PolyCement and Harmonia. The second side slips into a slightly more sinister place, closer ‘Aftermath’ featuring the voice of Attorney Patrick Frascogna speaking at a US court hearing in 2011 in an attempt to gain access to the medical records of John Burroughs and James Penniston – the two airmen injured in the first Rendlesham encounter. Juxtaposed against the sci-fi synths, it brings to light the layers of secrecy and obstruction that can surround the night sky”

– THE QUIETUS

“Occupying similarly cosmic ground – just a little closer to Ipswich – is A Farewell To Hexes. This is the electronic side project of Adam Leonard, also of BBC 6Music-approved rockers Invaderband. No prizes for guessing the inspiration behind his new album Rendlesham, a splendidly sinister synth-fuelled account of the rum business that enveloped this picturesque Suffolk forest in December 1980. Epic 18-minute track ‘The Halt Tape In Colour’ even incorporates snippets of the infamous tape recordings made by RAF Woodbridge’s deputy commander, Lieutenant Colonel Charles Halt”

– FORTEAN TIMES MAGAZINE

I’ll walk to the depths of the deepest dark forest

Photo by The Dark Outside

A new tape.

RENDLESHAM is an electronic instrumental album soundtracking arguably Britain’s most remarkable UFO events. Side 1 soundtracks the bizarre Christmas/Boxing Day case (which includes Sergeant Jim Penniston encountering and receiving a binary code from a “craft of unknown origin”), and Side 2 brings to life the curious events witnessed by Lt. Colonel Charles Halt and his team in the forest in the early hours of 28th December 1980, incorporating original micro-cassette recordings (‘The Halt Tape’) captured at the time. The album ends with ‘Aftermath’ (video below), featuring the voice of Attorney Patrick Frascogna speaking at a 2011 U.S. court hearing attempting to gain access to Penniston & colleague John Burroughs medical records (both airmen suffered life-threatening ailments after coming into contact with the “craft” in 1980).


The music on the album is intentionally redolent of British underground electronic music at the time of the Rendlesham Forest incident. For best results this album should be listened to in the dark with eyes closed. You will enter the forest..

Order here from 6pm:

https://thedarkoutside.bandcamp.com/merch/a-farewell-to-hexes-rendlesham

UPDATE: I’m delighted to say the ‘Rendlesham’ tape sold out. 80 copies in less than an hour. Thanks to everyone who bought it. I’ll hopefully get a bigger release of this album so more people can hear it – I’m very proud of it.

Meantime life outside goes on all around you

cassette by BUNKR

Photo by BUNKR

I’m over the moon to have a new track released on this superb compilation from Castles In Space. ‘The Isolation Tapes’ contains music recorded by artists in lockdown during the 2020 COVID-19 Corona Virus Pandemic.

The Isolation Tapes has 3 parts; CD, Cassette & Download, each with different tracklistings. My track, under the ‘A Farewell To Hexes’ moniker is on the cassette, but all three are chock full of truly great and fascinating music, and this release is highly recommeded with or without me!

Buy here: Castles In Space bandcamp with all proceeds to the Cavell Nurses’ Trust.

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Background Information from Colin Morrison of CIS:

CiS062//The Isolation Tapes:

Castles in Space brings you a stunning collection of new music recorded in isolation during the COVID19 lockdown//Released 29th May 2020//

A total of 62 tracks across CD//Cassette//Download selected from more than 250 submissions.

// A charity compilation in aid of the Cavell Nurses’ Trust//

On April 3rd 2020, two weeks into the UK’s total coronavirus lockdown and in an attempt to find something positive as a break from ping-ponging between high anxiety and frustrated bemusement, I sent out the call for submissions for a new compilation of music, which had some clear stipulations.

The message read as follows:
Submissions are requested for inclusion on CiS062 – “The Isolation Tapes”.
Submissions must have been recorded between:
Monday 23rd March:
The date the UK lockdown was imposed
and
Friday 17th April:
The closing date for submissions to the project.

Submissions *must* be new works recorded by the artist in isolation.
Castles in Space will handle mastering and manufacture, we just need your pre-mixed masters.
Submissions must include an image which represents the artist or the creation of the piece in isolation.
Release date for CiS062 is 29th May. Profits will be donated to Cavell Nurses’ Trust www.cavellnursestrust.org
They assist nurses, midwives and healthcare assistants, both working and retired, when they’re suffering personal or financial hardship. This is often due to illness, disability, older age, domestic abuse and the impact of coronavirus.

Please send submissions to
hello@castesinspace.com

The results were positively overwhelming and easily surpassed anything that I could have hoped for. I thought that I *might* be tapping into something, as some conversations with musicians I know and work with were indicating that the enforced period of downtime was proving to be extremely productive. Albums were being finished. Ideas exchanged over Zoom conversations were being laid down on hard drives around the world. There was, quite literally, something in the air.

By the end of the 2.5 week period the window for submissions was open, I had received somewhere in the region of 250 submissions. Pretty much all of them being of astonishing quality and accomplishment. While this was extremely heartwarming and satisfying, it also presented a real challenge in that the editing job was going to be massive and difficult. Further criteria were therefore set to assist the selection process.

1. As a general rule, anything too dark or dystopian was out. There were several sampled politicians and creeped out drone-a-thons, but I quickly came to the decision that this release had to offer something uplifting for the listener. We had to find some light and positivity in the darkness. For me, the tracks that worked best offered a droll commentary on our unprecedented situation without being overwhelmed by it.

2. The works really did have to be conceived and completed between 23rd March and 17th April. That rule was enforced pretty hard. Anything that had been “finished” or had undergone a “final mix” during that time was deemed to not meet meet the criteria for submission. It was important for me to capture the moment in the reaction of the contributors. Hopefully this global lockdown situation will never happen again, so I was viewing this as a one time only opportunity to document something unique.

3. As the submissions rolled in via email, Twitter, Instagram and facebook, it quickly became apparent that the original idea of releasing one cassette volume was not going to be sufficient. There was simply too much good stuff coming in. The scope was therefore quickly expanded out to include a CD volume and a cassette with three sides. ‘Side three’ being a download only selection.

And so began the selection of around 60 tracks which went forward for mastering by Jez Butler. Jez did a fantastic job of carefully mastering everything to a consistent, steady level. Brightening and de-harshing where necessary. There than began the marathon weekend long session of sequencing what tracks were going to go where. Once a final selection and sequence was decided upon, Nick Taylor was engaged to do his usual superb job on the artwork.

The finished compilation offers more than 60 tracks across CD, cassette and digital download.

The images submitted by the contributing artists add another dimension to the project and are available to see at castlesinspace.com

The Isolation Tapes project is sold in support of the magnificent Cavell Nurses’ Trust. A wonderful organisation which helps nurses, midwives and healthcare assistants, both working and retired, when they’re suffering personal or financial hardship. This is often due to illness, disability, older age, domestic abuse and the impact of coronavirus.

It is sincerely hoped that you will find much to enjoy in The Isolation Tapes. It was both an absolute joy and an arduous headache to put together (in a good way). The final edit was extremely difficult and there is certainly enough stuff in the can for further releases if these volumes find some appreciation.

As ever, thanks for listening.
Stay safe and well.
Colin Morrison
Castles in Space. May 21st 2020

Christmas Single

XMAS_CANDLES-triangle

My new single ‘It’s Another Christmas’ is now up on bandcamp exactly here.

It’s a ‘Name your price’ release, but please note that all proceeds go to Homelessness Charity SIMON COMMUNITY NI. Imagine being homeless this time of year and please be as generous as you can. Many thanks.

Also, if you could share this about on social media for me that would really be amazing and appreciated. The more money made, the more people helped – it’s a simple as that.

Merry Christmas.

+A  x

I Stepped Forth From The Shadows To The Marketplace

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“Nails in the shadows scraping / Mouths in the shadows gaping”

 

I’m delighted to report that I have another single out with “Chemical beats, broken beat, jazz, downtempo, house, techno, electronica, noise and psych” combo Warriors of the Dystotheque. ‘Things In The Shadows, is released on 27th September via Glasstone Records.

You can listen here: https://jammerzine.com/first-listen-warriors-of-the-dystotheque-ft-adam-leonard-invaderband-things-in-the-shadows-2-remixes/

The track has already been played on BBC Electric Mainline, BBC Across The Line, RTÉ 2fm (Tune of the Day!) & Seattle’s KEXP.

It’ll be on streaming services from Friday. Cheers!

To Be Alone With You

On Saturday I did a solo electric guitar set at Abbazappa Records in Derry. Thanks to Geoff from MK-ULTRA for asking me. Photos by Luke McAdams.

AZ

Sod Off!

grass

I’ve finished recording a catchy little number for the 6th Dark Outside. I’m not joking, it’s pretty whistlable. There’s more info on this year’s event here, innit: https://wfculture19.co.uk/events/The-dark-outside

The track, which is about my lawn is called ‘Sod Off!’ and I’ll stick it on Soundcloud or somewhere once it’s been transmitted from Epping Forest on the 2019 Summer Solstice (20th/21st June). Here’s a poster.

TDO-June-2019


In My Time Of Dying

warriors

WotD

I’m pleased to report I have a new EP out soon with Irish/French/New York ‘Broken beat’ combo Warriors Of The Dystotheque. The I Know You’ll Never Die EP will be released by CWB.ie / Dublin’s Reckless Records on 28th October.

The record is already getting good airplay on 6Music, BBC Radio Ulster, BBC Radio Foyle and RTE2.

Here’s the Le Galaxie remix of the title track.

It’s nine below zero and three o’clock in the afternoon

Octopus 9 art

Octopus Part 9

The ninth part of my 8-part Octopus series is released on the 9th of the 9th.

It’s a free (or pay what you like) download from bandcamp, and it’s the usual mix of electronics, acoustics and in this case, orchestral sonics courtesy of Richard Moult.

Tracklisting:

  1. The Implausible Man (1980 version)
  2. Dawn Rain / Grissom Aloft
  3. The Elf
  4. The Great Roy Harper
  5. Beware The Catman! (solo live)
  6. Petrichor Light
  7. Ship Of Nothing (acoustic demo)
  8. Tears In The Rain (Performance sponsored by Yellow Tail Shiraz).
  9. On Receiving A Box Of Spring Flowers In London (by Richard Moult)

Total running time 34:28

FYI Octopuses have 9 brains.

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